[ERXT008] + [ERHT008] + [ERSE008] ELEMENTZ RECORDS 008
#31
Geschrieben 20. Apr. 2010 - 12:59 Uhr
Aug 4 Nature One, Kastellaun (USB, Criminal, Acid Fonic Camp)
Sept 1 Slowenia, Ljubljana
DJ Hammond @ FEAR FM Hardest 15.07.2012
http://www.mixcloud.com/djhammondfb/dj-hammond-fear-fm-hardest-15072012/
#32
Geschrieben 20. Apr. 2010 - 13:55 Uhr
#33
Geschrieben 21. Apr. 2010 - 09:24 Uhr
/public/style_emoticons/default/usb.gif... ELEMENTZ ROCKZ!!! /public/style_emoticons/default/usb.gif...
/public/style_emoticons/default/shoot.gi... /public/style_emoticons/default/shoot.gi...
rotten to the core rocks man
#34
Geschrieben 21. Apr. 2010 - 09:31 Uhr
Royal Ash - Uncharted Territory (Orman Bitch Remix)
Mechanical Brothers - Connexion Total
Andi Teller - 4 Elementz
Killernoizes & Royal Ash - Bad Imagination
Killernoizes - Crush Your Enemy
Killernoizes - Strange Things
these are my favorite tracks
congratz to my bro Killernoizes
and congratz to andi
Dieser Beitrag wurde von Wistler bearbeitet: 21. Apr. 2010 - 09:57 Uhr
14.04 Big Bang Techno Family @ Kunstpark Köln
19.05. Affenkäfig @ Touch Club Köln
19.05 Hell ist Anders pres. HEFTY / Big Bang Techno Family Floor - Kunstpark Köln
26.05 Anthrazit Cologne - Opening! @ Kunstpark Köln mit TOM HADES, DRUMCOMPLEX
23.06 Björn Torwellen Bday @ Kunstpark Köln
2-5.8.12 USB Camp Nature One
17.9.12 The Territory of Crush Radio Show Russia ( Hardtechno set ) more info soon
??.9.12 1 Jahr Clash of the Titans the Radio Show Techno Edition
21.9. Big Bang Techno Family @ Kunstpark Köln
5.10.12 Big Bang Techno Family @ Kunstpark Köln
More Info Soon....
Big Bang Family - Kunstpark Köln - My Fanpage - Omega Record
#35
Geschrieben 21. Apr. 2010 - 10:02 Uhr
Booking: booking@ormanbitch.de
Website: http://www.ormanbitch.de
Networks: http://www.twitter.com/OrmanBitch | http://www.facebook.com/ormanoffcial
CMP PODCAST: http://www.ormanbitc...ast/podcast.rss
Contact Informations:
Contempt Music Productions
P.O.Box 1122
63505 Langenselbold
Buy my releases:
CLICK HERE!
#36
Geschrieben 21. Apr. 2010 - 10:17 Uhr
HT: Divine,Kombot,Barbers track
XT: Hammond,Orman Bitch, Andi Teller, Bednarz, Droidbeatz this time for me:)
Solo EP is AWESOME:) i already heard a lot times these tracks like in 2007, but i shocked everytime:)
Cool complitation Tim:)
THX!!!
ERXT008: VA / Rotten To The Core EP is my favorite ep /public/style_emoticons/default/toptop.g...
Royal Ash - Uncharted Territory (Orman Bitch Remix)
Mechanical Brothers - Connexion Total
Andi Teller - 4 Elementz
Killernoizes & Royal Ash - Bad Imagination
Killernoizes - Crush Your Enemy
Killernoizes - Strange Things
these are my favorite tracks /public/style_emoticons/default/d.gif...
congratz to my bro Killernoizes /public/style_emoticons/default/toptop.g... Strange Thinks and Bad Imagination are very nice /public/style_emoticons/default/tanzen.g...
and congratz to andi /public/style_emoticons/default/top.gif...
- 14.06.2013 Criminal Day/ Kunstpark /Köln
- 29.06.2013 Ruhr In Love / Olga Park/ Oberhausen
- 05.07.2013 USB FESTIVAL/Butan Club / Wuppertal
- 02-04.08.2013 Nature One/USB STAGE Pydna/ Kastellaun
- 30.08.2013 Blocked
#37
Geschrieben 21. Apr. 2010 - 11:48 Uhr
congraz to all newcomers
#38
Geschrieben 21. Apr. 2010 - 13:54 Uhr
Elementz, one more time, fire.
#39
Geschrieben 21. Apr. 2010 - 13:59 Uhr
#40
Geschrieben 22. Apr. 2010 - 05:26 Uhr
http://www.djshop.de...n_ep__erse008_/
ERXT008
http://www.djshop.de...e_ep__erxt008_/
ERHT008
http://www.djshop.de...t_ep__erht008_/
#42
Geschrieben 23. Apr. 2010 - 08:08 Uhr
Peace...! Demencio
Check all our releases for sale @ DJSHOP
#43
Geschrieben 23. Apr. 2010 - 11:30 Uhr
Bro the solo ep from Enjoymentt is fuckin awesome...! So nice to hear some new kool stuff for me...!
Peace...! Demencio
Yeah bro thx, he is one of the best producer for my own opinion, this guy has maybe 200 tracks but he didn't get any release before that's a shame because he deserves... i think now he will be more known :-)
All three relases are FUCKING COOL! /public/style_emoticons/default/kaoz.gif... Elementz Rockz! /public/style_emoticons/default/respekt....
/public/style_emoticons/default/witteroc...
THX BRO
great release /public/style_emoticons/default/blink.gi...
congraz to all newcomers /public/style_emoticons/default/hello.gi...
Danke bro
Abuse ep, Really good pieces inside /public/style_emoticons/default/).gif...
Elementz, one more time, fire. /public/style_emoticons/default/erschies...
GRACIAS AMIGO
#44
Geschrieben 23. Apr. 2010 - 15:29 Uhr
http://www.junodownl.../1569543-02.htm
http://www.junodownl.../1569537-02.htm
http://www.junodownl.../1569544-02.htm
#45
Geschrieben 24. Apr. 2010 - 10:59 Uhr
#47
Geschrieben 26. Apr. 2010 - 12:54 Uhr
#48
Geschrieben 26. Apr. 2010 - 13:23 Uhr
Even if some tracks are cool in these eps (mechanical B for eg...) most of them are really bad (BAD quality sound, saturation (and not good distortion), mistackes in the construction and so on...)
Most of the digital labels just release bad music (because everybody can easily build a new digital label), don't care about mastering rulez, don't care about the professional way of producing.
Allright, this is just the begining of digital.. But your label was one of these labels (Audiocode, Gnot....) that showed the other digital labels the way they have to work.... That's a pitty because I can't hear this quality on these 3 releases!
So... please come back to your first idea !
Peace
#49
Geschrieben 26. Apr. 2010 - 14:26 Uhr
everybody have there own meaning of this...I hate classical hardtechno/schranz sound like last 10 years since I bought my first Schranz Total CD...I'll be really honnest with you. I liked Elementz a lot in the past because of the quality of the tracks (good mastering, professional construction of the tracks, no overcompression).
Even if some tracks are cool in these eps (mechanical B for eg...) most of them are really bad (BAD quality sound, saturation (and not good distortion), mistackes in the construction and so on...)
Most of the digital labels just release bad music (because everybody can easily build a new digital label), don't care about mastering rulez, don't care about the professional way of producing.
Allright, this is just the begining of digital.. But your label was one of these labels (Audiocode, Gnot....) that showed the other digital labels the way they have to work.... That's a pitty because I can't hear this quality on these 3 releases!
So... please come back to your first idea !
Peace
and thats not about mastering...do you know what is mastering??? Do you know how much costs???
In last time I let mastered about 4 tracks on different mastering companys...and one company was worse then the other...
So please stay sooo nice!!!!
Booking: booking@ormanbitch.de
Website: http://www.ormanbitch.de
Networks: http://www.twitter.com/OrmanBitch | http://www.facebook.com/ormanoffcial
CMP PODCAST: http://www.ormanbitc...ast/podcast.rss
Contact Informations:
Contempt Music Productions
P.O.Box 1122
63505 Langenselbold
Buy my releases:
CLICK HERE!
#50
Geschrieben 26. Apr. 2010 - 16:11 Uhr
everybody have there own meaning of this...I hate classical hardtechno/schranz sound like last 10 years since I bought my first Schranz Total CD...I'll be really honnest with you. I liked Elementz a lot in the past because of the quality of the tracks (good mastering, professional construction of the tracks, no overcompression).
Even if some tracks are cool in these eps (mechanical B for eg...) most of them are really bad (BAD quality sound, saturation (and not good distortion), mistackes in the construction and so on...)
Most of the digital labels just release bad music (because everybody can easily build a new digital label), don't care about mastering rulez, don't care about the professional way of producing.
Allright, this is just the begining of digital.. But your label was one of these labels (Audiocode, Gnot....) that showed the other digital labels the way they have to work.... That's a pitty because I can't hear this quality on these 3 releases!
So... please come back to your first idea !
Peace
and thats not about mastering...do you know what is mastering??? Do you know how much costs???
In last time I let mastered about 4 tracks on different mastering companys...and one company was worse then the other...
So please stay sooo nice!!!!
Yes, you have the point Orman Bitch, everybody has his own mastering..some of them have dirtier-harder..some of uses more hihats,claps and rides...it depends on how he personally like..but if the other people like them too, it makes this good music, because nowhere we could find: the recipe, how to make a hardtechno..everybody do his own style..own mastering...
SOUNDCLOUD: http://soundcloud.com/bentech
#51
Geschrieben 26. Apr. 2010 - 16:27 Uhr
everybody have there own meaning of this...I hate classical hardtechno/schranz sound like last 10 years since I bought my first Schranz Total CD...I'll be really honnest with you. I liked Elementz a lot in the past because of the quality of the tracks (good mastering, professional construction of the tracks, no overcompression).
Even if some tracks are cool in these eps (mechanical B for eg...) most of them are really bad (BAD quality sound, saturation (and not good distortion), mistackes in the construction and so on...)
Most of the digital labels just release bad music (because everybody can easily build a new digital label), don't care about mastering rulez, don't care about the professional way of producing.
Allright, this is just the begining of digital.. But your label was one of these labels (Audiocode, Gnot....) that showed the other digital labels the way they have to work.... That's a pitty because I can't hear this quality on these 3 releases!
So... please come back to your first idea !
Peace
and thats not about mastering...do you know what is mastering??? Do you know how much costs???
In last time I let mastered about 4 tracks on different mastering companys...and one company was worse then the other...
So please stay sooo nice!!!!
WORD !!!!
#52
Geschrieben 26. Apr. 2010 - 17:04 Uhr
I'll be really honnest with you. I liked Elementz a lot in the past because of the quality of the tracks (good mastering, professional construction of the tracks, no overcompression).
Even if some tracks are cool in these eps (mechanical B for eg...) most of them are really bad (BAD quality sound, saturation (and not good distortion), mistackes in the construction and so on...)
Most of the digital labels just release bad music (because everybody can easily build a new digital label), don't care about mastering rulez, don't care about the professional way of producing.
Allright, this is just the begining of digital.. But your label was one of these labels (Audiocode, Gnot....) that showed the other digital labels the way they have to work.... That's a pitty because I can't hear this quality on these 3 releases!
So... please come back to your first idea !
Peace
@ Orman: Word
- 14.06.2013 Criminal Day/ Kunstpark /Köln
- 29.06.2013 Ruhr In Love / Olga Park/ Oberhausen
- 05.07.2013 USB FESTIVAL/Butan Club / Wuppertal
- 02-04.08.2013 Nature One/USB STAGE Pydna/ Kastellaun
- 30.08.2013 Blocked
#53
Geschrieben 26. Apr. 2010 - 19:38 Uhr
everybody have there own meaning of this...I hate classical hardtechno/schranz sound like last 10 years since I bought my first Schranz Total CD...I'll be really honnest with you. I liked Elementz a lot in the past because of the quality of the tracks (good mastering, professional construction of the tracks, no overcompression).
Even if some tracks are cool in these eps (mechanical B for eg...) most of them are really bad (BAD quality sound, saturation (and not good distortion), mistackes in the construction and so on...)
Most of the digital labels just release bad music (because everybody can easily build a new digital label), don't care about mastering rulez, don't care about the professional way of producing.
Allright, this is just the begining of digital.. But your label was one of these labels (Audiocode, Gnot....) that showed the other digital labels the way they have to work.... That's a pitty because I can't hear this quality on these 3 releases!
So... please come back to your first idea !
Peace
and thats not about mastering...do you know what is mastering??? Do you know how much costs???
In last time I let mastered about 4 tracks on different mastering companys...and one company was worse then the other...
So please stay sooo nice!!!!
everybody have there own meaning of this...I hate classical hardtechno/schranz sound like last 10 years since I bought my first Schranz Total CD...I'll be really honnest with you. I liked Elementz a lot in the past because of the quality of the tracks (good mastering, professional construction of the tracks, no overcompression).
Even if some tracks are cool in these eps (mechanical B for eg...) most of them are really bad (BAD quality sound, saturation (and not good distortion), mistackes in the construction and so on...)
Most of the digital labels just release bad music (because everybody can easily build a new digital label), don't care about mastering rulez, don't care about the professional way of producing.
Allright, this is just the begining of digital.. But your label was one of these labels (Audiocode, Gnot....) that showed the other digital labels the way they have to work.... That's a pitty because I can't hear this quality on these 3 releases!
So... please come back to your first idea !
Peace
and thats not about mastering...do you know what is mastering??? Do you know how much costs???
In last time I let mastered about 4 tracks on different mastering companys...and one company was worse then the other...
So please stay sooo nice!!!!
Yes, you have the point Orman Bitch, everybody has his own mastering..some of them have dirtier-harder..some of uses more hihats,claps and rides...it depends on how he personally like..but if the other people like them too, it makes this good music, because nowhere we could find: the recipe, how to make a hardtechno..everybody do his own style..own mastering...
WORD @ both
#54
Geschrieben 26. Apr. 2010 - 21:51 Uhr
I'm agree that some tracks are not perfect, but the philosophy of my label is to give a chance to newcomers aswell, and is with their error that they will grow up...
Just tell me which tracks are bad please and i'll see later what i can do about it (send it by PM)
Thx
#55
Geschrieben 26. Apr. 2010 - 22:09 Uhr
ADD ME @ MSN: bednarz@windowslive.com

#56
Geschrieben 26. Apr. 2010 - 22:51 Uhr
In elementz i dont like only one thing, that one release contains to 10 tracks. You should choose 4 best trax and do the release from them (Like elementz002 with my track) /public/style_emoticons/default/).gif... Think about it /public/style_emoticons/default/wink.gif...
Yeap Agree, I don't think it's the best way to promote the artists
#57
Geschrieben 26. Apr. 2010 - 23:06 Uhr
#58
Geschrieben 27. Apr. 2010 - 00:27 Uhr
Thx guyz
#59
Geschrieben 27. Apr. 2010 - 01:36 Uhr
I think Tim don't release those tracks, which he don't like so much, he say always honest feedback, when somebody send him his track, i believe it...so if he found 6-7-8 good track, why he don't give the chance..?
It's not so good, when somebody release 2 track for an EP..because he need to do full EP, but if he get so much good music, also problem..i don't understand you guys, where can you find just 4-5 tracks can be acceptable in releasing? is it a rule?
Dieser Beitrag wurde von Bentech bearbeitet: 27. Apr. 2010 - 01:40 Uhr
SOUNDCLOUD: http://soundcloud.com/bentech
#60
Geschrieben 27. Apr. 2010 - 02:39 Uhr
Elementz has one of the best quality in digital! in 009 lot of good tracks in all 3 releases! even if my track on 008:D
I think Tim don't release those tracks, which he don't like so much, he say always honest feedback, when somebody send him his track, i believe it...so if he found 6-7-8 good track, why he don't give the chance..?
It's not so good, when somebody release 2 track for an EP..because he need to do full EP, but if he get so much good music, also problem..i don't understand you guys, where can you find just 4-5 tracks can be acceptable in releasing? is it a rule?/public/style_emoticons/default/d.gif... people can buy those one which they like not just the full EP... not big deal.. i don't understand..
I agree with u man, if Tim wants to release 7-8-9-20 tracks thats his choice, and i dont think he will put just any track on a release, everybody knows and its obvious that if u have a label and u want to get some decent sells, u need to release kool music...! And one of the advantages of releasing in digital format is that u can make this releases with many tracks, i dont think this is bad...and if someone doesnt like all tracks, then just buy the one u like...! do u have this option in vinyl? I think not..... Also i always see people criticize digital labels, they say they release any stuff and anyone can have a digital label... i have heard so many vinyl records that JUST SUCK, that it makes me angry to hear some crap on vinyl on a big label when i have honestly heard waaaay better stuff from people that havent been able to even release a track on digital...! Anyways, just my opinion, i love vinyl just like many people do, but digital is another succesful form of releasing music, and it also has the advantage that u can give newcomers the chance to be heard, another thing that is pretty hard to achieve in vinyl labels....!
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