Bass compression
#1
Geschrieben 20. Aug. 2009 - 19:07 Uhr
#3
Geschrieben 20. Aug. 2009 - 19:22 Uhr
Dieser Beitrag wurde von Rob Stalker bearbeitet: 20. Aug. 2009 - 19:23 Uhr
#5
Guest_bitcrusher_*
Geschrieben 20. Aug. 2009 - 19:29 Uhr
Guest_bitcrusher_*
but as always, that doesn´t work on every track.
Dieser Beitrag wurde von bitcrusher bearbeitet: 20. Aug. 2009 - 19:30 Uhr
#6
Geschrieben 20. Aug. 2009 - 19:42 Uhr
generelly it's advisable to compress at an absolute minimum or not at all. if your bassdrum needs more power, give it more volume. if there's no room, then clean up the track and frequencys. any power you give to the bassdrum by compression you take away from everything else at the same time.
#7
Guest_bitcrusher_*
Geschrieben 20. Aug. 2009 - 19:52 Uhr
Guest_bitcrusher_*
it is possible to have them on the same bus indeed, but extremely difficult. you need to make absolutely sure, that the frequencys do not interfere.
yep, that´s right. generally, if you´re working with a compressor or not, you always should take care about the frequencies in bass and bassdrum,
that they don´t disturb each other @waslive. this brings you maximum power...it´s ok, if they sound a little bit thin, if you listen solo to each channel.
#8
Geschrieben 20. Aug. 2009 - 22:27 Uhr
If the attack range is very small , the kick will lose a lot of "punch"
dont know how to say this in english..
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#12
Geschrieben 21. Aug. 2009 - 12:46 Uhr
That one looks real oldschool. You still workin with hardware, bitcrusher ?yes /public/style_emoticons/default/).gif... a good eq for managing the frequencies between bass and bassdrum is the 560 made by api:
http://www.dv247.com...cts/19900_l.jpg
there are not many good graphic eq´s around, but this one is a beast. waves brought out a software
version of this eq.
@Topic: give the BD an EQ +10db on everything below 100hz and delete the bassline.
Stormtrooper's Höhle des Wahnsinns
#13
Guest_bitcrusher_*
Geschrieben 21. Aug. 2009 - 13:03 Uhr
Guest_bitcrusher_*
i love oldschool-equipment. this eq is built by api since ages. and most of those oldschool-eq´s have a special sound
plus you always can work with the gain-staging. that´s a reason why i´ve always been heading for a mixture between
digital and analogue equipment. you can´t overdrive a digital plug-ins´ input-stage
generally, i´ve sold all my equipment, as this makes no more sense, when doing perhaps one track in a year for fun.
i´m out of the producers´ world for different reasons (but that´s nothing to being discussed in this thread).
when mastering for tonica for example, i have still a partner studio around here and they have all that analogue gear
that makes fun and good sound, when it comes to mastering - like massenburg, urei and neve equipment.
Dieser Beitrag wurde von bitcrusher bearbeitet: 21. Aug. 2009 - 13:05 Uhr
#14
Geschrieben 21. Aug. 2009 - 13:48 Uhr
#16
Geschrieben 21. Aug. 2009 - 15:14 Uhr
Stormtrooper's Höhle des Wahnsinns
#17
Geschrieben 21. Aug. 2009 - 15:54 Uhr
Maybe the reason is that they finally have to start thinking when writing in english. :-S
good point
MYSPACE
SOUNDCLOUD
#19
Geschrieben 21. Aug. 2009 - 16:44 Uhr
Bass: 80Hz
Kick: 100Hz
Basically, you can do a bass from any kind of sondwave, just cut midd and high frequencies, EQ, Compression + Limiter and voila: round bass is here. You can use Tape Saturation for mild approach, especially works with contrabass for jazz and soundtracks, a little bit of top touch (1-4kHz) will make it sound closer and more alive (make sure nothing else is bitching in this freq range). To achieve industrial, distorted sound, just adjust your knobs accordingly with your favourite distortion tool and simply check on Spectralizer missing and resonating frequencies and work around again with your internal/external EQ however you are generating your signal. Lower down or just cut 300-400Hz because human ear doesn't accept this range and it's mostly sounds like a blur and track usually looses depth (Tiefe).
#20
Geschrieben 21. Aug. 2009 - 16:53 Uhr
Maybe the reason is that they finally have to start thinking when writing in english. :-S
or the guys who can only talk about something shitty like schranz.dll or anything else stupid couldn't speak english
#21
Geschrieben 21. Aug. 2009 - 16:56 Uhr
thats the pointMaybe the reason is that they finally have to start thinking when writing in english. :-S
or the guys who can only talk about something shitty like schranz.dll or anything else stupid couldn't speak english /public/style_emoticons/default/lol.gif... /public/style_emoticons/default/heureka....
good hints in this topic but i have to say that a little compression espacially at kick mixer wouldnt harm
#22
Geschrieben 21. Aug. 2009 - 17:36 Uhr
Sub: 50-60Hz
Bass: 80Hz
Kick: 100Hz
do i put them one upon the other ? or what do u mean ? cause i have never worked with bass and subbass before....but i think i should do. is that so necessary to get better sound and getting more professional ?
#23
Geschrieben 22. Aug. 2009 - 04:08 Uhr
Sub: 50-60Hz
Bass: 80Hz
Kick: 100Hz
do i put them one upon the other ? or what do u mean ? cause i have never worked with bass and subbass before....but i think i should do. is that so necessary to get better sound and getting more professional ?
To work on these frequencies first of all you need to understand what is + how works SUB-WOOFER.
0 - 20Hz technically doesn't exist because only insects, animals or your psyche can feel it.
20 - 150hz soundsystems and vinyl cutting plants practice same method by converting frequencies to MONO.
#24
Geschrieben 24. Aug. 2009 - 22:21 Uhr
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#25
Geschrieben 25. Aug. 2009 - 12:23 Uhr
I once heard that the self resonance of a human's stomach is around 33hz, which means: if you do a subbassTo work on these frequencies first of all you need to understand what is + how works SUB-WOOFER.
0 - 20Hz technically doesn't exist because only insects, animals or your psyche can feel it.
20 - 150hz soundsystems and vinyl cutting plants practice same method by converting frequencies to MONO.
at that frequence band, and send it through a real loud and good soundsystem, you could make a whole party womit !
We should try that sometime.
@Topic: Bass Compression - yes, but not Bassdrum Compression. That normally causes more harm than does good.
Stormtrooper's Höhle des Wahnsinns
#26
Guest_bitcrusher_*
Geschrieben 25. Aug. 2009 - 12:35 Uhr
Guest_bitcrusher_*
i´d only compress the bassdrum in following cases:
- a bassdrum played by a drummer and therefore causing different amplitudes (a human drummer does not have a midi-controlled velocity parameter)
- selective controlling of the bassdrum transients (which normally better can be controlled by the samplers´ adsr-parameters)
#27
Geschrieben 26. Aug. 2009 - 23:10 Uhr
I once heard that the self resonance of a human's stomach is around 33hz, which means: if you do a subbassTo work on these frequencies first of all you need to understand what is + how works SUB-WOOFER.
0 - 20Hz technically doesn't exist because only insects, animals or your psyche can feel it.
20 - 150hz soundsystems and vinyl cutting plants practice same method by converting frequencies to MONO.
at that frequence band, and send it through a real loud and good soundsystem, you could make a whole party womit !
We should try that sometime.
@Topic: Bass Compression - yes, but not Bassdrum Compression. That normally causes more harm than does good.
thats not true
they did test this in mythbuster at around 130db (with good earplugs of course)
@ topic - everything is said - do not overcompress and do EQ and Filter work
#28
Geschrieben 26. Aug. 2009 - 23:29 Uhr
And yes, we should try that. Or find the brown tone
Dieser Beitrag wurde von Amok bearbeitet: 26. Aug. 2009 - 23:29 Uhr
#30
Geschrieben 27. Aug. 2009 - 09:12 Uhr
@Viper: maybe they didn't get the exact frequency. I think due to different sizes the resonance frequnecy
differs a bit for each individual. But techniqually it shouldbe possible, as (i think) everything has a resonance
frequency to which it responds. But simply imagining that is fantastic... :-)
Stormtrooper's Höhle des Wahnsinns
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